Elizabeth Jennings (1926-2001)

Song at the Beginning of Autumn

Now watch this Autumn that arrives
In smells. All looks like Summer still;
Colours are quite unchanged, the air
On green and white serenely thrives.
Heavy the trees with growth and full
The fields. Flowers flourish everywhere.

Proust who collected time within
A child’s cake would understand
The ambiguity of this –
Summer still raging while a thin
Column of smoke stirs from the land
Proving that Autumn gropes for us.

But every season is a kind
Of rich nostalgia. We give names –
Autumn and Summer, Winter, Spring –
As though to unfasten from the mind
Our moods and give them outward forms.
We want the certain, solid thing.

But I am carried back against
My will into a childhood where
Autumn is bonfires, marbles, smoke;
I lean against my window fenced
From evocations in the air.
When I said Autumn, Autumn broke.


Rembrandt’s Late Self-Portraits

You are confronted with yourself. Each year
The pouches fill, the skin is uglier.
You give it all unflinchingly. You stare
Into yourself, beyond. Your brush’s care
Runs with self-knowledge. Here

Is a humility at one with craft.
There is no arrogance. Pride is apart
From this self-scrutiny. You make light drift
The way you want. Your face is bruised and hurt
But there is still love left.

Love of the art and others. To the last
Experiment went on. You stared beyond
Your age, the times. You also plucked the past
And tempered it. Self-portraits understand,
And old age can divest,

With truthful changes, us of fear of death.
Look, a new anguish. There, the bloated nose,
The sadness and the joy. To paint’s to breathe,
And all the darknesses are dared. You chose
What each must reckon with.


One Flesh

Lying apart now, each in a separate bed,
He with a book, keeping the light on late,
She like a girl dreaming of childhood,
All men elsewhere – it is as if they wait
Some new event: the book he holds unread,
Her eyes fixed on the shadows overhead.

Tossed up like flotsam from a former passion,
How cool they lie. They hardly ever touch,
Or if they do it is like a confession
Of having little feeling – or too much.
Chastity faces them, a destination
For which their whole lives were a preparation.

Strangely apart, yet strangely close together,
Silence between them like a thread to hold
And not wind in. And time itself’s a feather
Touching them gently. Do they know they’re old,
These two who are my father and my mother
Whose fire from which I came, has now grown cold?