Emily Dickinson (1830-1886)

I cannot dance upon my Toes

I cannot dance upon my Toes—
No Man instructed me—
But oftentimes, among my mind,
A Glee possesseth me,

That had I Ballet knowledge—
Would put itself abroad
In Pirouette to blanch a Troupe—
Or lay a Prima, mad,

And though I had no Gown of Gauze—
No Ringlet, to my Hair,
Nor hopped to Audiences—like Birds,
One Claw upon the Air,

Nor tossed my shape in Eider Balls,
Nor rolled on wheels of snow
Till I was out of sight, in sound,
The House encore me so—

Nor any know I know the Art
I mention—easy—Here—
Nor any Placard boast me—
It’s full as Opera—

Because that you are going

Because that you are going
And never coming back
And I, however absolute,
May overlook your Track—

Because that Death is final,
However first it be,
This instant be suspended
Above Mortality—

Significance that each has lived
The other to detect
Discovery not God himself
Could now annihilate

Eternity, Presumption
The instant I perceive
That you, who were Existence
Yourself forgot to live—

The “Life that is” will then have been
A thing I never knew—
As Paradise fictitious
Until the Realm of you—

The “Life that is to be,” to me,
A Residence too plain
Unless in my Redeemer’s Face
I recognize your own—

Of Immortality who doubts
He may exchange with me
Curtailed by your obscuring Face
Of everything but He—

Of Heaven and Hell I also yield
The Right to reprehend
To whoso would commute this Face
For his less priceless Friend.

If ”God is Love” as he admits
We think that mean must be
Because he is a “jealous God”
He tells us certainly

If “All is possible with” him
As he besides concedes
He will refund us finally
Our confiscated Gods—

A Bird, came down the Walk

A Bird, came down the Walk – 
He did not know I saw –
He bit an Angle Worm in halves 
And ate the fellow, raw, 

And then, he drank a Dew
From a convenient Grass –
And then hopped sidewise to the Wall 
To let a Beetle pass –

He glanced with rapid eyes,
That hurried all abroad –
They looked like frightened Beads, I thought,
He stirred his Velvet Head. – 

Like one in danger, Cautious,
I offered him a Crumb,
And he unrolled his feathers, 
And rowed him softer Home –

Than Oars divide the Ocean,
Too silver for a seam,
Or Butterflies, off Banks of Noon, 
Leap, plashless as they swim. 

The Tint I cannot take—is best

The Tint I cannot take—is best—
The Color too remote
That I could show it in Bazaar—
A Guinea at a sight—

The fine—impalpable Array—
That swaggers on the eye
Like Cleopatra’s Company—
Repeated—in the sky—

The Moments of Dominion
That happen on the Soul
And leave it with a Discontent
Too exquisite—to tell—

The eager look—on Landscapes—
As if they just repressed
Some Secret—that was pushing
Like Chariots—in the Vest—

The Pleading of the Summer—
That other Prank—of Snow—
That Cushions Mystery with Tulle,
For fear the Squirrels—know.

Their Graspless manners—mock us—
Until the Cheated Eye
Shuts arrogantly—in the Grave—
Another way—to see—

Before I got my eye put out

Before I got my eye put out –
I liked as well to see
As other creatures, that have eyes –
And know no other way –

But were it told to me, Today,
That I might have the Sky
For mine, I tell you that my Heart
Would split, for size of me –

The Meadows – mine –
The Mountains – mine –
All Forests – Stintless stars –
As much of noon, as I could take –
Between my finite eyes –

The Motions of the Dipping Birds –
The Morning’s Amber Road –
For mine – to look at when I liked,
The news would strike me dead –

So safer – guess – with just my soul
Upon the window pane
Where other creatures put their eyes –
Incautious – of the Sun –

After great pain, a formal feeling comes

After great pain, a formal feeling comes –
The Nerves sit ceremonious, like Tombs –
The stiff Heart questions ‘was it He, that bore,’
And ‘Yesterday, or Centuries before’?

The Feet, mechanical, go round –
A Wooden way
Of Ground, or Air, or Ought –
Regardless grown,
A Quartz contentment, like a stone –

This is the Hour of Lead –
Remembered, if outlived,
As Freezing persons, recollect the Snow –
First – Chill – then Stupor – then the letting go –

The saddest noise, the sweetest noise

The saddest noise, the sweetest noise,
The maddest noise that grows, —
The birds, they make it in the spring,
At night’s delicious close.

Between the March and April line —
That magical frontier
Beyond which summer hesitates,
Almost too heavenly near.

It makes us think of all the dead
That sauntered with us here,
By separation’s sorcery
Made cruelly more dear.

It makes us think of what we had,
And what we now deplore.
We almost wish those siren throats
Would go and sing no more.

An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.

Success is counted sweetest

Success is counted sweetest
By those who ne’er succeed.
To comprehend a nectar
Requires sorest need.

Not one of all the purple Host
Who took the Flag today
Can tell the definition
So clear of victory

As he defeated – dying –
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!