William Shakespeare (1564-1616)

Sonnet 3

Look in thy glass, and tell the face thou viewest
Now is the time that face should form another,
Whose fresh repair if now thou not renewest,
Thou dost beguile the world, unbless some mother.

For where is she so fair whose uneared womb
Disdains the tillage of thy husbandry?
Or who is he so fond will be the tomb
Of his self-love, to stop posterity?

Thou art thy mother’s glass, and she in thee
Calls back the lovely April of her prime.
So thou through windows of thine age shalt see,
Despite of wrinkles, this thy golden time.

But if thou live remembered not to be,
Die single, and thine image dies with thee.

Sonnet 12

When I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls all silvered o’er with white;

When lofty trees I see barren of leaves,
Which erst from heat did canopy the herd,
And summer’s green all girded up in sheaves
Borne on the bier with white and bristly beard—

Then of thy beauty do I question make,
That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake
And die as fast as they see others grow.

And nothing ’gainst Time’s scythe can make defense
Save breed, to brave him when he takes thee hence.

Sonnet 15

When I consider every thing that grows
Holds in perfection but a little moment,
That this huge stage presenteth nought but shows
Whereon the stars in secret influence comment;

When I perceive that men as plants increase,
Cheered and cheque’d even by the self-same sky,
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;

Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful Time debateth with Decay,
To change your day of youth to sullied night;

And all in war with Time for love of you,
As he takes from you, I engraft you new.

Sonnet 18

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:

Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimm’d;

But thy eternal summer shall not fade
Nor lose possession of that fair thou ow’st;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st;

So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.

Sonnet 29

When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,

Wishing me like to one more rich in hope,
Featur’d like him, like him with friends possess’d,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least;

Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;

For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings.

Sonnet 30

When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought
And with old woes new wail my dear time’s waste.

Then can I drown an eye unused to flow
For precious friends hid in death’s dateless night,
And weep afresh love’s long since cancelled woe,
And moan the expense of many a vanished sight.

Then can I grieve at grievances foregone,
And heavily from woe to woe tell o’er
The sad account of fore-bemoanëd moan,
Which I new pay as if not paid before:

But if the while I think on thee, dear friend,
All losses are restored and sorrows end.

Sonnet 53

What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.

Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen’s cheek all art of beauty set,
And you in Grecian tires are painted new;

Speak of the spring and foison of the year,
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessëd shape we know.

In all external grace you have some part,
But you like none, none you, for constant heart.

Sonnet 64

When I have seen by Time’s fell hand defaced
The rich proud cost of outworn buried age,
When sometime lofty towers I see down-razed,
And brass eternal slave to mortal rage;

When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss and loss with store;

When I have seen such interchange of state,
Or state itself confounded to decay,
Ruin hath taught me thus to ruminate
That Time will come and take my love away.

This thought is as a death, which cannot choose
But weep to have that which it fears to lose.

Sonnet 65

Since brass, nor stone, nor earth, nor boundless sea,
But sad mortality o’er-sways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?

O how shall summer’s honey breath hold out
Against the wrackful siege of battering days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but Time decays?

O fearful meditation! Where, alack,
Shall Time’s best jewel from Time’s chest lie hid?
Or what strong hand can hold his swift foot back,
Or who his spoil of beauty can forbid?

O none, unless this miracle have might,
That in black ink my love may still shine bright.

Sonnet 104

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,

Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.

Ah, yet doth beauty, like a dial hand
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:

For fear of which, hear this, thou age unbred;
Ere you were born was beauty’s summer dead.